Waves Audio – Tony Maserati Collection – The Test


The Tony Maserati collection represents a meeting of enterprise titans. Waves, one of the earliest and most enduring audio plug-ins companies, has made its reputation on first-rate bundles of their own plug-ins including the Gold, Platinum, and Diamond bundles as well as emulations of a number of the most respected names in studio hardware from API to SSL. Tony Maserati is a multi-platinum, Grammy triumphing engineer with mixing credits which include Mariah Carey, Destiny’s Child, the Black Eyed Peas, John Legend, and Kelly Clarkson. What Waves and Tony Maserati have finished is to put together some of Tony’s attempted and proper combinations of EQ, compression, and consequences into a simple, intuitive package. Basically, we are being invited into Tony’s audio global and getting a danger to gain from his experience in our mixes.

What You Get

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The Maserati series is six plug-ins mainly designed for the number one units of maximum mixes. They are the VX1 for lead and concord vocals, the ACG for acoustic guitars, the GTi for electric powered guitars (and horns relying on the present), the HMX for keyboards, the B72 for bass and sooner or later the DRM for all the individual drums in a well-known studio package. Atypical of most EQ and compression plug-ins, the Maserati collection also gives built-in results on every one of the six plugs. These effects include reverb and in a few times a delay as nicely (like at the GTi and VX1). The FX knobs manage the overall amount of the impact however in a completely fashionable manner. On event, you are additionally provided a few extra controls like a “Wet” knob(at the HMX) a “Tone” manage (at the B72), “Excite” and “Pre Delay” (at the ACG) or even “Vibro” and “Chorus” (at the Gti). Overall, the outcomes are nicely notion out, appropriate and sound super.

The Look and Feel

The first element I observed approximately the Tony Maserati series is that visually it stands apart from quite a few available audio plug-ins in that it is extra fanciful and inventive in its design and would not have a hardware equal within the bodily equipment global. The best description I can supply might be to mention it looks like a pass between a vintage wooden radio and the dashboard of a few antique automobiles. The manner the knobs paintings and the lights glow has a totally comforting, heat appearance and feel to it. There’s a way to this insanity as nicely: By leaving out actual frequency notations, postpone instances and almost all numbers, we’re pressured (within the nice feasible manner) to use our ears and no longer our eyes to combine. This is a borderline radical belief nowadays when we’ve got grow to be used to typing 200hz and minus 1.5 into the windows of our EQ plug-ins. By changing our workflow, we’re compelled to pay attention in preference to virtually anticipating a result that we’ve gotten masses of instances before.

Download and Setup

There’s absolute confidence that the oldsters at Waves spend as tons time considering their advertising as they do their plug-ins and it indicates on their website. As a promotional tool, Waves has a web page on their website with video interviews of a variety of engineering and manufacturing luminaries. To immerse myself in Tony’s international, I watched his video that takes us thru New York and into his studio at the same time as he discusses in very trendy phrases his method of mixing. It’s not an accident that Tony’s interview mirrors his plug-in collection in that he would not talk tons about the details but as an alternative addresses his ordinary philosophical and emotional method and leaves it as much as us to concentrate to his paintings as evidence that the details are operating. Make no mistake. The video isn’t always designed as a “the way to” for the plug-ins. Tony briefly discusses the plug-ins on the end and even as it’s now not an awful lot, it is definitely beneficial to hear what he has to mention. He discusses how the plug-ins aren’t supposed to mimic any unique piece of gear but as an alternative to behaving like a device that he based on his favorite presets. While we do not get any actual nuts and bolts recommendation on a way to use the plug-ins we do get to hang around with a multi-platinum, Grammy-triumphing engineer for approximately a half of an hour that is quite darn cool.

The Waves internet site at the side of your iLok is the desired approach of set up. After a touch looking around, I become capable of locating the download section that included the proper model and OS. After the download (that may take some time given we’re talking approximately loads of megs of information), the set up changed into a very truthful system of clicking at the installation button and following the instructions. I also went to the site and downloaded the pdf manuals for the six plug-ins however apart from a few simple sentences about what made every plug-in precise, the relaxation turned into fairly repetitive.

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Recording and mixing drums is by far the toughest venture for me as an engineer. I’ve spent years putting in place and tweaking the gate, EQ and compressor preset in Metric Halo’s Channel Strip to offer a terrific baseline sound for the drums recorded in my studio. Within the DRM plug-in, there are presets for every person drum within the package and then a few extra tweaks written in layman’s phrases like a thump and snap. I was curious to see how the easy buttons, knobs, and dials of the DRM plug-in handled the uncooked consultation audio. Other than the sensitivity (basically input) and output knobs, the thump, snap and treble knobs had been all that remained to tweak. Again, and not using an actual number markings, it is difficult to be unique but I spent some time moving the knobs until I executed what felt just like the quality drum sound I should get. At the end of the day, the drum sound did not pretty maintain up for me. After switching back and forth a few times, I felt just like the Maserati plugs could not convey the warmth and presence to the drums that the Metric Halo ones did. This isn’t to mention that with a bit additional EQ and likely gating I couldn’t get it there but in a direct comparison, it wasn’t as sturdy as what I had.

My standard method for blending acoustic guitars entails an excessive skip filter out at 120hz, which leaves room for the bass and kick drum. Every sometimes I’ll additionally upload a piece of compression to either convey up the overall performance or even out some inconsistencies in dynamics. While the acoustic in my authentic blend turned into fine, I truly liked what the ACG did for its sound inside the new mix. I spent a little time comparing the 2 general settings, ACG1 and ACG2 subsequently selecting the ACG 1. Then I located myself pulling back a bit on the punch, mid and high knobs and boosting the output. Not most effective became there greater presence however additionally the detail become better and extra sonically thrilling. If you are trying to get an acoustic to preserve its very own in a full, dynamic blend, the ACG is an exquisite place to begin.

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This bass plug-in has settings. One for a DI which encompasses most actual electric and upright basses after which a synth putting which spreads out the sound and adds extra outcomes. I appreciated the sound of this plug-in plenty and it in comparison properly to my authentic Waves four-band Renaissance EQ and the Waves Renaissance compressor. Although I don’t do plenty synth bass, I like having the choice to get spacier outcomes in the rare times after I do.